Showing posts with label 138. Show all posts
Showing posts with label 138. Show all posts

Friday, May 29, 2015

Of Time and the Hardy Boys

In the early books of the Hardy Boys canon, from The Tower Treasure (#1) to The Great Airport Mystery (#9), ghost writer Leslie McFarlane and / or the Stratemeyer Syndicate made an effort to create a coherent chronology. Those first nine books follow the brothers and their chums over three years — essentially from late in their sophomore years in high school to graduation. The books cover three springs (#1, #6, and #9, all of them late spring), two winters (#5 and #8) and a lot of summer (#2, 3, 4, and 7).

After that, the Hardys stopped aging, went back to high school, and never worried about time making sense again. Seriously: time was more linear in a season of Doctor Who than in any five consecutive hardcover Hardy Boys books after that. But that was OK, really; the books were released once per year, and it didn’t matter that readers couldn’t fit together consecutive stories in a coherent timeline. After waiting all year for another book, who cared if they didn’t match up exactly? And as for the back catalog of books — well, who had access to all 30 or 40 or 50 or 60 of them? Those who could read all of them were overjoyed to experience the wealth of Hardy Boys stories.

When the Hardy Boys books came out in paperback, though, Simon & Schuster started releasing several books per year. The only way that would work, as a publishing strategy, is if they expected readers to actually buy more than one book per year — consecutive books, most likely. And in that case, skipping around the calendar becomes more distracting. It’s harder to believe in a fictional world when Frank and Joe Hardy have come unstuck in time.

After finishing Crusade of the Flaming Sword, I’ve read #130 through #141, which coincidentally covers all of the digests released in 1995 (#130-5) and 1996 (#136-41), so I decided to see if the Hardys obeyed the calendar.

Surprisingly, the 1995 books did! Sidetracked to Danger (#130) is set in February, probably about the time the book was released. Although Crusade (#131) has no specific chronological setting, Frank and Joe spend several days without going to school — so it’s set during spring break or summer. They’re back in school in Maximum Challenge (#132), which means it could be set between spring break and the end of the school year; they’re out of school again in Crime in the Kennel (#133), presumably during the summer. Cross-Country Crime (#134) occurs during Thanksgiving vacation, and The Hypersonic Secret (#135) is set only a couple of weeks later, in the run-up to Christmas. So not only can these books fit in a single calendar year, they were mostly published at the same time they were set.

I admit, I was impressed.

The next year’s releases aren’t so well coordinated. The action in The Cold Cash Caper (#136) falls during the February Winter Festival — again, the book take place roughly the same time of year it was released. Unfortunately, it’s not clear when the next book, High-Speed Showdown (#137), occurs, but it’s warm enough for boat racing on Barmet Bay, so it can’t be fit between Caper and The Alaskan Adventure (#138), which ends just before the beginning of the Iditarod in early March. Chet begins a summer job at the zoo in The Search for the Snow Leopard (#139), but Slam Dunk Sabotage (#140) jumps ahead to February (or perhaps early March) for the end of the high school basketball season. The Desert Thieves (#141) is set in early January — probably close to the book’s publication, although on the wrong side of the New Year.

That’s a freakishly small number of summer books — somewhere between two and four out of the twelve books. More than two-thirds of the first 85 books are set during the summer, so that’s quite a change.

1995’s releases show the books could create a sense of time; why couldn’t Simon & Schuster have spread their 1996 releases throughout the year? Of the six, four books were set in the first 80 or so days of the year, with none of them occurring in August or later. Would it kill someone to have a fall mystery? (Maybe it would; there must be a reason why Hardy Boys books are so rarely set in the fall.) I’m sure such things were not a major concern of Simon & Schuster, which had many more pressing concerns — writing outlines, wrangling freelancers, editing manuscripts, marketing, selling — but I suppose I’m saying I would have appreciated it.

Of course, I wasn’t buying the books back then and was well out of the series’ target age range. I also didn’t read the books until more than a decade after they were written. But why wouldn’t Simon & Schuster decide to cater to me?

Friday, February 27, 2015

The Alaskan Adventure (#138)

The Alaskan Adventure coverFrank and Joe head to Glitter, Alaska, a small Athabascan Indian town on the Yukon River, to visit their friend David Natik. David visited the Hardy home in an unpublished adventure, so Frank and Joe decide to return the favor by visiting David just a few days before his first Iditarod. Because that’s exactly what you want, just before you enter your first 1,100-mile dog sled race: a pair of visitors distracting you and keeping you from training.

But it’s good Frank and Joe arrive when they do: David’s aunt and uncle’s home is burned down just minutes after the boys arrive, and a few minutes later, a burning log is thrown through the window of David’s parents’ cabin, where the family has taken refuge. This is just one of many acts of vandalism and destruction that have occurred in Glitter. Obviously something is wrong, and the locals have no idea what it is; in fact, they don’t really link any of the events into a coherent whole …

But Frank and Joe do! Unfortunately, they don’t know why these crimes are being committed. They toy with the idea that old conflicts in the town coming to the fore; they think it might have something to do with David’s and his ex-friend Gregg’s rivalry; perhaps it has something with the theme-park company that wants to come to Glitter and make it into a giant living history exhibit?

Yes, that’s it — the last one. It takes Frank and Joe a while to latch onto that idea, but they figure it out eventually. Suspects include Curt Stone, a theme-park rep who remains friendly to the boys despite all their questions and his inability to tell the difference between “accusations” and “insinuations”; Lucky, a miner and living history exhibit himself, who gives Frank and Joe the helpful advice that they need to “be careful whose nuggets they put their hands on” (38); and Gregg Anderson, who suspects Frank and Joe are behind his troubles, calling the brothers David’s “gangster friends” (122). That comment transformed Gregg from insufferable jerk to all right guy.

None of these is the criminal, of course. The criminal’s grand plan is to get the locals to approve the theme park so he can sell native handicrafts to tourists for a profit, which seems like a lot of work for a small payoff. He seems luckier than good, as well; in a little town where everybody’s got their nose in everyone else’s business, he’s fortunate he hasn’t been seen in his villainous comings and goings. (The worst was when he punctured a boat in the middle of the night; people heard the sound, which was likened to chopping wood, but no one decided to look outside to see why someone was chopping wood in the dark.) The culprit also pulls one of my least favorite Hardy Boys’ villain maneuvers: the hemi-glutteal food theft, in which all of someone’s food is stolen, but rather than taking it away totally, spoiling it, or eating it, it’s abandoned somewhere nearby, allowing Frank and Joe to recover it via their superior woodscraft. (The best example of this is the original Mystery of Cabin Island.)

It is extremely ironic that Frank and Joe oppose the efforts of someone who wants to turn an entire town into a theme park. For the Hardys, that’s what travel is for: you watch the locals and see the neat, weird things they do. Everything they do is put on for your benefit, and you get to eat their local foods. At the end of the trip, you get to claim you “understand” or “helped” the natives. In Alaskan Adventure, Frank and Joe see a real “Native American healer” in action, ride a dogsled, are menaced by local wildlife, buy stuff from a general store, attend a native potlatch, and visit Lucky’s mining operation. They don’t meet David’s parents because — and I swear to God this is true — the elder Natiks are in Fairbanks working at a snowshoe factory.

The author seems to sympathize with the anti-theme park side, since a theme park supporter is causing all the damage and David’s extended family all oppose the park. The sole argument for the park — money — seems shallow compared to the … we’ll say “rich traditions” Frank and Joe witness in Glitter. David’s cousin says her father believes the park will make Glitter’s residents “animals in a circus, showing off for visitors instead of being free to live our lives the way we always have” (29). Sure, the town has its problems, but they mostly stem from a single jackass destroying things to get people to vote for the theme park. But at the end of the story, David’s uncle begins to cave to the theme park idea, claiming he thinks Glitter can work with Stone’s company. Capitalism rules!

Despite the downer of an ending, which shows the power of capitalism, Frank and Joe might get a reward: a testimonial letter from an Alaskan State Trooper commander. Wow. We’re a long way from the early books, in which rewards of hundreds and thousands of dollars just tumbled into their laps.

Frank and Joe have always treated their travels as tourism, as shown by their first trip to Alaska (just after it became a state) in The Mystery of Devil’s Paw. The boys stopped Iron Curtain spies from recovering a lost rocket in Devil’s Paw, which is a lot more exciting than putting the kibosh on a vandal, but whatever. In that book, the Hardys met local Native Americans and ate local foods; unlike in Alaskan Adventure, which featured moose steak and moose-head soup at a potlatch, in Devil’s Paw they ate bear steaks, rice-lily bread, raw salmon, stewed rabbit, and wild rose fruit while attending a native wedding. The wildlife shifted slightly in the nearly four decades between the books: both had the Hardys escaping brown bears, but Alaskan Adventure substituted wolves for Devil’s Paw’s skunks.

The story ends just before David and Gregg take off for the Iditarod, which means the story ends in early March. Unfortunately, neither won, but David is prepared for this. After mentioning Gregg wants to be “first in everything,” David says, “Life’s not like that” (14). It might not be like that for you, brother, but it is for Frank and Joe. Wisely, they refrain from correcting him, but we the readers know the truth.

Random Iditarod facts: In 1996, the year in which the book was published, Californian Jeff King won his second Iditarod behind his lead dogs Jake and Booster. He finished the course in 9 days, 5 hours, 43 minutes, and 13 seconds. Forty-nine competitors finished the race; eleven more dropped out before the end. The fastest first-timer, Cim Smyth, was 18th, finishing more than a day behind King. King won $50,000, while Smyth received $6,000 for his finish. King went on to win two more Iditarods. 1996 was the first time the competition had been completed in less than 10 days; King’s record stood until 2000, when Doug Swingley (along with Stormy and Cola) beat it by almost five hours. The shortest time was set in 2014 by Dallas Seavey, who finished in 8 days, 13 hours, 4 minutes, 19 seconds.